Eugenia Martínez
1976, MonterreyLives and works in Mexico City
"Eugenia's artistic research places the visual, not only as a support for the sensitive, but also places it at the center of critical thinking itself around the cultural constitution of society. Problems of gender, racism, classism, are the main themes that Martínez addresses from a dialectical strategy as a plastic resource that alludes to an organic composition, close to the line of the drawing, and as an enunciation tool. In this sense, the old, anonymous and rescued photographs operate in the body of the artist's work as social traces of cultural practices and symbols that, when intervened with phrases, invoke the ghosts of prejudice that manifest themselves before the image and the word."
Octavio Avendaño
SOLO SHOW (SELECTION):
2019
Lo personal es político, curated by Ariadna Ramonetti, Heart Ego, San Pedro Garza García, Mexico
Recent Work, Raw Salt, Laguna Beach, California, USA
2018
Because you are a girl, Galería de Arte Mexicano, Mexico City, Mexico
2017
Coludos y rabones, Museo del Centenario, San Pedro Garza García, Nuevo León, Mexico
Patriarchy is a bitch, Musas, Hermosillo, Sonora, Mexico
2016
Family Portrait, Michael Hoppen Gallery, London, UK
2015
Totem, Arte Mexicano Gallery, Mexico City, Mexico
2014
El que tenga ojos que vea, Museo de Arte Contemporáneo de Tamaulipas, Matamoros, Tamaulipas, Mexico
2013
I don’t have a dream, Ramis Barquet Gallery, New York, USA
2010
Por los siglos de los siglos, GE Gallery, Monterrey, Nuevo León, Mexico
GROUP SHOW (SELECTION):
2018
Contemporary Mexican Art, Musas, Hermosillo, Sonora, Mexico
Pago en Especie Collection of SHCP 2013-2016, Museo de la SHCP, Mexico City, Mexico
2016
Vanidad y Desengaño, Museo de la Cancillería SRE, Mexico City, Mexico
Project Room, Karen Huber Gallery, Mexico City, Mexico
Straight from Mexico City, Ruiz Healy Art, San Antonio, Texas, USA
2015
The Map of the New Art, Fondazione Giorgio Cini, Venice, Italy
Dicen que Dicen, El Rastro, Hermosillo, Sonora, Mexico
Surrealism, Circulo de Tenerife, Madrid, Spain
Map of the New Art, Benetton Collection, Fondazione Giorgio Cini, Venice, Italy
80 Years of GAM, Arte Mexicano Gallery, Mexico City, Mexico
Porfil Perdu, MC & Karen Huber Gallery, New York, USA
2014
Extrapolation of Language, Karen Huber Gallery, Mexico City, Mexico
Andares, Centro Cultural Plaza Fátima, Nuevo León, Mexico
